![]() The one thing the Moment app does that’s unique for the Anamorphic lens is built-in de-squeezing. Shooting anamorphic 4K/24p on a device that fits in your pocket is simply astonishing (at least to this writer, who remembers what a big deal it was when standard definition camcorders first got a 24p option). For video, you can choose resolution and framerate, including the option for 24 fps, the cinematic standard. It offers full manual control over ISO and shutter speed, but you can keep it in automatic if you prefer. The Moment camera app has long been a popular choice for photographers looking to get more out of their phones. That means on an iPhone XS, for example, you essentially get two anamorphic lenses in one. No, there still isn’t much in the way of depth of field control, but it grants you some extra field of view while maintaining the telephoto perspective, with less distortion compared to using the wide lens. Now, this isn’t something you are likely to notice on a phone - the sensor is just too small and the focal lengths of the lenses too short to produce a shallow depth of field - but on dual-lens phones, you can mount the Moment Anamorphic over either lens, and it works great on an iPhone’s telephoto lens. Sample footage taken on an iPhone 7 Plus using the Moment Anamorphic lens They have a tendency to create expressive (some might say distracting) lens flares with long tails that stretch out horizontally across the frame. He wants his lens flares backīeyond just making things wider, anamorphic lenses have sought-after visual effects that have made them so popular. But more importantly, it has unique subjective attributes that simply cropping a spherical-lens video won’t give you. An anamorphic lens adds width, rather than subtract height, so you maintain whatever your original resolution was, be that 4K, Full HD, etc. Here’s the key takeaway: While you can always crop your video to a wider aspect ratio, this results in throwing pixels away. ![]() This means it gives you less extra width, but it is still very noticeable (and a 2x anamorphic lens on a 16:9 crop would yield an awkwardly wide frame). Since the Moment is working on an already wide 16:9 frame, it uses a smaller 1.33x anamorphic multiplier. Anamorphic movie projectors do this optically, but nowadays we can do it digitally - even on a phone. Such lenses work by “squeezing” the extra horizontal field of view to fit on the film (or sensor), which results in a very weird looking image that has to be “de-squeezed” to look normal again. The Moment Anamorphic is a simple piece of optics it embraces the flare. ![]()
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